A group of workers is traveling by bus to the town of Bojoni to work for an aristocratic family. The driver has a fulminating heart attack, and the group decides to drive to the near village of Tolnio instead, to spend the night and follow to Bojoni on th
绍拉60年代的“超现实主义三部曲”的第二部,《薄荷刨冰》(1967)、《圣力三重奏》(1968)和《蜂巢》(1969)。三部影片都是由杰拉丁·卓别林主演的,是他们俩合作的黄金时期。 一对青年夫妇费尔南多(费尔南多·赛布里安饰演)和特丽莎(杰拉丁·卓别林饰演)以及好友安东尼奥(胡安·加利亚多饰演)周末出行。汽车行进中,三人闲谈着环境污染、人口剧增等社会问题,特丽莎与安东尼奥下车独处时,费尔南多会拿出望远镜偷窥妻子的举动。帮助路人汽车灭火之后,三人抵达费尔南多的姑姑家,特丽莎的情绪非常低落,而费尔南
来自英国的家庭教师安娜来到西班牙马德里的一户富贵人家,家中有老夫人、三个儿子以及二儿子的妻女。老夫人精神失常,噩梦连连;大儿子何塞权力欲强,掌管家事,痴迷军人形象;二儿子胡安沉溺女色,与家中女仆私通;三儿子费尔南多寡言少语,在洞穴中苦修。安娜的到来打破了一家人看似平静的生活,家中三个男人都想把安娜占为己有但不得手,结局最终导向将安娜驱逐出门,三兄弟趁机拿她补偿各自的欲念。
Ana is alive and married with Antonio; they arrive in the manor in the countryside of Spain where she worked as a nanny many years ago, for the centennial birthday of the matriarch. In their reunion, she finds that Jose died three years ago; Juan left his