A Paradoxical Presentation of Realism and Mysticism! Erksan's Sevmek Zamani expresses its story in a two-folded plane.First, a strict realism in the search for specific (but global at the same time) identity problem of Turkish people is investigated: Occident or Orient, the chaotic battle of these two different identity-construction choices. Second, through this separation, the movie shows us two perceptions of LOVE: An urbanized, modern female singer(Sema Ozcan) wanting to be with the guy (Musfik Kenter)who is in love with her poster on the one hand. On the other, the (Oriental) guy refusing this famous singer. The guy says:"I'm in love only and only with your poster". The fetish and the sublime! That Love turns to be some kind of Sufistic way of perceiving the world. The Magnificient scene of boat-tripping with the poster must be seen! 译文(2): 现实主义与神秘主义的悖论呈现！Erksan 的 Sevmek Zamani 在一个双折叠的飞机上表达了它的故{资源屯-ziyuantun.com}。首先，在寻找土耳其人特定的(但同时也是全球的)身份认同问题上，本文考察了严格的现实主义: 西方还是东方，这两种不同的身份认同建构选择之间的混战。第二，通过这种分离，电影向我们展示了爱的两种观念: 一方面，一个城市化的现代女歌手(Sema Ozcan 饰)想要和一个爱上她的海报的男人(Musfik Kenter 饰)在[ZiYuantun.Com]一起。另一方面，(东方)家伙拒绝这位著名的歌手。那家伙说: “我只爱你的海报。”。崇拜和崇高！这种爱变成了一种苏菲派的世界观。与海报的船只旅行的壮丽场景必须看到！
