Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike - her elongated, race-hor{Ziyuantun.Com}se physique became the new prototype for the great George Balanchine. Her unique style, humor and authenticity redefined ballet for all dancers who followed. Amazingly, she was the muse to not one great artist but two; both George Balanchine and Jerome Robbins loved her as a dancer and a woman. Balanchine married her and Robbins created his famous version of Afternoon of a Faun for Tanny. Tanaquil Le Clercq was the foremost dancer of her day until it suddenly all stopped. On a tour of Europe, she was struck down by polio and paralyzed. She never danced again. 译文(3): 在所有伟大的芭蕾舞演员中，Tanaquil Le Clercq可能是最超凡脱俗{资源屯-ziyuantun.com}。她的身材与以往任何一位都不一样，令观众和编舞家都着迷——她修长的赛马体格成为了伟大的乔治·巴兰钦的新原型。她独特的风格、幽默和真实性为所有跟随她的舞者重新定义了芭蕾舞。令人惊讶的是，她是两位伟大艺术家的缪斯女神，而不是一位伟大艺术家；乔治·巴兰钦和杰罗姆·罗宾斯都喜欢她作为一名舞者和一名女性。巴兰钦娶了她，罗宾斯为坦尼创作了他著名的《牧神午后》。Tanaquil Le Clercq是她那个时代最重要的舞者，直到一切突然停止。在一次欧洲之旅中，她患上了小儿麻痹症，瘫痪了。她再也没有跳舞了。
