One week on a cruise ship, with parties, fun and new friendships. The all-gay clientele on board are preoccupied with topics such as identity, the body beautiful and the search for sex. Every evening is dedicated to a new theme, challenging the passengers to ever more extravagant, body-hugging outfits. In the cabins however, the talk is more than skin deep as the men open up about their private lives. Marek, a young Polish man just wants to be accepted and loved as a human being and not just because of his taut body. Dipankar from India has just recently come out; he and Palestinian Ramzi are revelling in the kind of freedom they can only dream about in their homophobic societies back home. Martin is HIV positive and ponders hedonistic ways, while Philippe from France observes the proceedings on board serenely from his wheelchair. In his feature film debut director Ferland Milewski succeeds in providing a look behind the scenes of an ostensibly superficial world. His humorous approach helps him create a genuine bond with the protagonists wh【ZiYuanTun.Com】o talk openly about gay desires, free love and good old-fashioned monogamy. 译文(2): 在游轮上度过一周，有派对，有乐趣，还有新朋{资源屯-ziyuantun.com}。船上的全是同性恋的顾客都被诸如身份、身体的美丽和对性的追求这样的话题所占据。每天晚上都献给一个新的主题，向乘客挑战更加奢华、紧身的服装。然而，在小木屋里，男人们敞开心扉谈论他们的私生活，谈话不仅仅是肤浅的。马雷克，一个年轻的波兰人只是想被接受和爱作为一个人，不仅仅是因为他的身体紧张。来自印度的 Dipankar 最近刚刚出柜; 他和巴勒斯坦的 Ramzi 正陶醉于那种他们只能在自己国家的恐同社会中梦想的自由。马丁是艾滋病毒阳性和思考享乐主义的方式，而菲利普从法国观察船上的程序从他的轮椅平静。在他的故事片处女作导演 Ferland Milewski 成功地提供了一个表面上肤浅的世界的幕后看法。他的幽默方式帮助他与那些公开谈论同性恋欲望、自由恋爱和传统的一夫一妻制的主人公建立了真正的联系。
