As lead singer with Felt, Lawrence was responsible for some of the most precious music of the 1980s. On touchstone indie labels such as Cherry Red and Creation, the band released ten albums and ten singles - one for each year of the decade. Though few releases troubled the charts, Felt's cult status was assured and a mission of sorts was accomplished. Lawrence went on to form Denim and Go Kart Mozart, bands that revelled in referencing 1970s glam and novelty rock while slyly critiquing the contemporary pop scenes. There's been an air of tragi-comedy about Lawrence's career at times. Felt were bumped from the cover of the NME when editors favoured a blacked-out cover to illustrate a feature on youth suicide, while Denim's infectious 1997 single 'Summer Smash' was scratched from radio playlists when it was released in the week Princess Diana died. Paul Kelly's intimate, smart doc portrait, a labour of love filmed over the last eight years, follows Lawrence between Go Kart Mozart albums, weighed down by the chips on his shoulders while still dreaming of being a pop star who rides in limousines and dates supermodels. He appears as, perhaps, he always has; a man out of time, touched by rare genius. 　　Michael Hayden 　　London Film Festival 　　译文(3): 作为Felt乐队的主唱，劳伦斯创作了20世纪80年代一些最珍贵的音【资源囤-ZiYuanTun.Com】。在Cherry Red和Creation等试金石独立厂牌上，乐队发行了十张专辑和十首单曲，十年中每年发行一张。尽管很少有发行会影响排行榜，但费尔特的狂热地位得到了保证，完成了某种使命。劳伦斯随后组建了Denim和Go Kart Mozart乐队，这两支乐队热衷于引用20世纪70年代的魅力和新奇摇滚，同时狡猾地批评当代流行音乐。关于劳伦斯的职业生涯，有时会有一种悲剧喜剧的氛围。当编辑们喜欢用涂黑的封面来说明青少年自杀的故事时，《新英格兰体育报》的封面上的感觉被删除了，而德尼姆1997年富有感染力的单曲《夏日粉碎》在戴安娜王妃去世的那一周发行时，被从广播播放列表中删除了。保罗·凯利（Paul Kelly）的这幅亲密、聪明的医生肖像画是在过去八年里拍摄的一部爱情劳动，讲述了劳伦斯在卡丁车莫扎特（Go Kart Mozart）专辑之间的故事，他被肩上的芯片压得喘不过气来，同时仍然梦想着成为一名乘坐豪华轿车和超模约会的流行歌星。他看起来可能一直都是这样；一个不合时宜的人，被罕见的天才所打动。