滔滔不绝的祈祷者

滔滔不绝的祈祷者

1080P蓝光 1971  日本 
上映 :1971-08-04(日本)
导演 :足立正生 
类型 :剧情 电影 
国家 :日本 
更新 :2026-03-05
豆瓣ID : 4060886 IMDB : tt1467265
IMDB :5.4
1971·日本·剧情 电影 ·1971-08-04(日本)上映·日语·详情
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  A young prostitute tries to understand why she suffers from melancholy and benumbed feelings. Against a background of sexual liberation and political subversion, this latest libertine work by radical film director M. Adachi is one of the very few existing feminist erotic films. Masao Adachi's personality and films deserve careful consideration. Relatively unknown as yet to Western audiences, he happens to be one of the most radical film-makers around in recent years. Gushing Prayer, shows the influence of Koji Wakamatsu, another enfant terrible of Japanese cinema whom Adachi assisted on many films. Gushing Prayer does not hesitate to show the resentments and dissatisfactions of someone who ought to be nothing more than an object of fantasies. Highly pertinent, with a bold avant-garde style, he sets the record straight as far as the sexual desires of supposedly liberated Japanese women are concerned. One of the rare feminist films of the 70's, it audaciously evokes sexual liberation and political subversion.
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  • 片名:滔滔不绝的祈祷者
  • 状态:其他
  • 主演:秋山道男 平冈正明 
  • 导演:足立正生 
  • 年份:1971
  • 地区:日本
  • 类型:剧情 电影 
  • 频道:5.4
  • 上映:1971-08-04(日本)
  • 语言:日语
  • 更新:2026-03-05 04:27
  • 简介:  A young prostitute tries to understand why she suffers from melancholy and benumbed feelings. Against a background of sexual liberation and political subversion, this latest libertine work by radical film director M. Adachi is one of the very few existing feminist erotic films. Masao Adachi's personality and films deserve careful consideration. Relatively unknown as yet to Western audiences, he happens to be one of the most radical film-makers around in recent years. Gushing Prayer, shows the influence of Koji Wakamatsu, another enfant terrible of Japanese cinema whom Adachi assisted on many films. Gushing Prayer does not hesitate to show the resentments and dissatisfactions of someone who ought to be nothing more than an object of fantasies. Highly pertinent, with a bold avant-garde style, he sets the record straight as far as the sexual desires of supposedly liberated Japanese women are concerned. One of the rare feminist films of the 70's, it audaciously evokes sexual liberation and political subversion.
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