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As befits the man who was called Monsieur 100,000 volts, Gilbert Bécaud displays all the charm and magnetism he was famous for in this film; he is playing two characters, Julien Barrière and Éric Perceval. One is a drifter with no fear, the other is a timid pianist in the cabaret run by a very jovial Gabriello. The lovely Françoise Arnoul is courted by both men. The plot is unnecessarily complex: there is Julien's evil uncle Ludovic (Jean Toulout) who wants Julien to do something--don't know what really--and three louts keep turning up wanting to beat Julien up. Françoise Arnoul as Marinette the waitress is the soul of charm: here she is playing a nice girl instead of the vixens she became known for.   I give ten stars for Bécaud and the rest of the superb cast, but only four for Carné's uninspired direction, the fake sets and the candy-floss color cinematography. Carné is trying to repeat the successes of the past and it does not work; a more improvisational feeling, relying more on Bécaud's magnetism would have been better.
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  • 片名:我来的那个国家
  • 状态:WEB-1080P
  • 主演:弗朗索瓦·阿努尔 Gilbert 克洛德·布拉瑟 让·图卢 夏尔·勒蒙捷 玛德琳·勒博 Camille 安德烈·加布里埃洛 安妮·吉拉尔多 加布丽埃勒·丰坦 埃米尔·德兰 马塞尔·博祖菲 加比·巴塞 
  • 导演:马塞尔·卡尔内 
  • 年份:1956
  • 地区:法国
  • 类型:奇幻 电影 
  • 频道:6.1
  • 上映:1956-10-19
  • 语言:法语
  • 更新:2025-11-03 21:15
  • 简介:As befits the man who was called Monsieur 100,000 volts, Gilbert Bécaud displays all the charm and magnetism he was famous for in this film; he is playing two characters, Julien Barrière and Éric Perceval. One is a drifter with no fear, the other is a timid pianist in the cabaret run by a very jovial Gabriello. The lovely Françoise Arnoul is courted by both men. The plot is unnecessarily complex: there is Julien's evil uncle Ludovic (Jean Toulout) who wants Julien to do something--don't know what really--and three louts keep turning up wanting to beat Julien up. Françoise Arnoul as Marinette the waitress is the soul of charm: here she is playing a nice girl instead of the vixens she became known for.   I give ten stars for Bécaud and the rest of the superb cast, but only four for Carné's uninspired direction, the fake sets and the candy-floss color cinematography. Carné is trying to repeat the successes of the past and it does not work; a more improvisational feeling, relying more on Bécaud's magnetism would have been better.
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