A harrowing psychological thriller from a widely acclaimed filmmaker, Daylight pits a couple lost in America against a conniving gang of kidnappers, in David Barker's rigorous and personal re-imagining of the genre film. Despite its familiar genre elements, Daylight is different - a powerful, shocking piece of vigorous cinema, which fuses eroticism and tenderness with the harrowing weight of pregnancy and kidnapping. On their way to a wedding, Danny and Irene pick up a hitchhiker - throwing the film in the direction of the conventional rural kidnapper thriller. But with the skill of director David Barker and his miraculous cast and crew, Daylight emerges as much, much more than just another exploitation picture. Kidnappers Renny, Leo, and Murphy enact a bizarre and terrifying ritual of politeness, endowing such scenes as the passing of a bread knife at a kitchen table with a threat of ferocious violence - but also trust. Alexandra Meierhans - pregnant as the character Irene, and pregnant in real life - delivers an astonishing performance as the female lead. Simultaneously vulnerable and dangerous, a captive and a seductress, she somehow struggles to survive and endure, bringing the audience along with her through to the shattering conclusion. 　　译文(3): 《日光》是一部由广受好评的电影制作人创作的令人痛心的心理惊悚片，讲述了一对在美国迷路的夫妇与一群纵容的绑匪的故事，这是大卫·巴克对这部类型电影的严格而个人的重新想【资源囤-ZiYuanTun.Com】。尽管《日光》有着熟悉的类型元素，但它与众不同——它是一部强有力、令人震惊的充满活力的电影，将色情和温柔与怀孕和绑架的痛苦重量融合在一起。在去参加婚礼的路上，丹尼和艾琳搭上了一辆顺风车，这部电影朝着传统的农村绑架惊悚片的方向发展。但凭借导演大卫·巴克和他神奇的演员和工作人员的技巧，《日光》不仅仅是另一部剥削电影。绑架者Renny、Leo和Murphy表演了一种奇怪而可怕的礼貌仪式，赋予了诸如在餐桌旁传递面包刀之类的场景凶猛暴力的威胁，但也赋予了信任。亚历山德拉·梅尔汉斯（Alexandra Meierhans）在剧中饰演艾琳（Irene），怀孕了，在现实生活中也怀孕了。作为女主角，她有着惊人的表现。她既脆弱又危险，既是一个俘虏，又是一个诱惑者，不知何故，她努力生存和忍受，让观众和她一起得出了令人震惊的结论。